Name: 2240: Max Reger: “Mozart” Variations for Two Pianos; Bach-Reger; Brandenburg Concertos No. 3 &amp; 5 for Two Pianos
SKU: 2240
Availability: InStock

2240: Max Reger: “Mozart” Variations for Two Pianos; Bach-Reger; Brandenburg Concertos No. 3 & 5 for Two Pianos

$12.99

Original Release Date: June 12, 2010
Release Date: June 12, 2010
Label: Elan Recordings
Copyright: ℗© Elan Recordings
Total Length: 55:44

01. Bach-Reger: Brandenburg Concerto No. 3 In G Major BWV 1048- Allegro Con Spirito Adagio
02. Bach-Reger: Brandenburg Concerto No. 3 In G Major BWV 1048- Allegro
03. Bach-Reger: Brandenburg Concerto No. 5 In D Major BWV 1050- Allegro
04. Bach-Reger: Brandenburg Concerto No. 5 In D Major BWV 1050- Affetuoso
05. Bach-Reger: Brandenburg Concerto No. 5 In D Major BWV 1050- Allegro
06. Reger – Variations And Fugue On A Theme Of Mozart Op. 132A For Two Pianos- Theme
07. Reger – Variations and Fugue on a theme of Mozart Op. 132a, for two pianos- Variation I Listesso
08. Reger – Variations and Fugue on a theme of Mozart Op. 132a, for two pianos- Variation II Poco agitat
09. Reger – Variations and Fugue on a theme of Mozart Op. 132a, for two pianos- Variation III Con moto
10. Reger – Variations and Fugue on a theme of Mozart Op. 132a, for two pianos- Variation IV Vivace
11. Reger – Variations and Fugue on a theme of Mozart Op. 132a, for two pianos- Variation V Quasi Presto
12. Reger – Variations and Fugue on a theme of Mozart Op. 132a, for two pianos- Variation VI Sostenuto
13. Reger – Variations and Fugue on a theme of Mozart Op. 132a, for two pianos- Variation VII Andate gra
14. Reger – Variations and Fugue on a theme of Mozart Op. 132a, for two pianos- Variation VIII Moderato
15. Reger – Variations and Fugue on a theme of Mozart Op. 132a, for two pianos- Fugue Allegro grazioso

Description

Review:

“…these pieces (Reger’s Variations and Fugue on a Theme of Mozart) have been recorded fairly often though never in better performances than this…the real surprise comes from Reger’s transcriptions of Bach’s Brandenburg Concertos No. 3 and 5. This performance establishes the value of these transcriptions as substantial art in their own right. It has the special fascination of familiar music heard in an unfamiliar form, and it almost convinces one that Bach might have first imagined this music played on two keyboards…”
—Joseph McLellan — The Washington Post

Peter Rösel and Santiago Rodriguez, pianists